Wednesday, December 31, 2014

Mrs. Bridge

Mrs. Bridge came into my life one April afternoon in 1975, when I - a cheeky and determined (but far from grown-up) 24-year old decided I wanted to work at Rockford Public Library. There were no openings at the time; undaunted, I sent my resume and a cover letter, boldly requesting an informational interview - not knowing that that was rather brazen and certainly not customary. To my relief, within a week I received a phone call from Alma Bridge, who graciously set up the appointment with me. From the beginning I sat up a little straighter when I heard her stately, elegant, but very warm voice on the telephone. I thanked her for agreeing to meet with me, and a time was arranged.

I’d been told that she was very formal and that even though most library people were on a first-name basis, she should be addressed in the old-fashioned way. So it was with trepidation that I was escorted into her office; however, any intimidation I might have felt initially was calmed when she smiled at me and I recognized in her the Scandinavian features and mannerisms that so reminded me of my own mother and my own family. I felt instantly as if she and I were “tribe.”

I stated earnestly that, if hired, I planned to make Rockford my permanent residence - I confess now that I'm not sure I meant it, but I knew that prospective employers wanted dedicated workers. She asked me the routine questions, and assured me that she would keep my resume on file. After our meeting, I drove back to DeKalb and immediately wrote her a thank-you note for meeting with me.

The following month, Mrs. Bridge phoned me to announce, "I have a job for you!" My degree in art from Northern, along with my credentials from my position at the NIU library, had earned me the position of Library Technical Assistant, in charge of the art reproduction collection at RPL's Main Library. I accepted immediately.

 I believe I showed up on my first day with three inches cut off my waist-length hair; wearing a double-knit, understated melon-colored polyester shirtwaist dress and penny loafers. Soon I learned that Mrs. Bridge (always MRS. Bridge) was highly respected, strict with rules firm but gentle with discipline, and that she expected professionalism and the highest standards of public service from her staff.  In addition, people were known to shake in their boots (or penny loafers) should they show up for work improperly dressed; I will never forget the day that she discreetly approached me when I had a scarf tied around my head and chided me: “We don’t wear turbans here.” I hastily removed it, soon to discover (I smile now) that Mrs. Bridge also had a very dry sense of humor that surfaced at the most unusual times - and that she was not the terrifying library matriarch; rather, a very kind and motherly lady. A joyous newlywed to her beloved George. A rather independent-minded individual. An open-minded and very "hip" woman, who advised me to take L-Tryptophan (health-food store supplements!) when I was in her office once, lamenting that I was having trouble sleeping. (You have to understand that back in those days, RPL operated under the philosophy of participatory management, and admin accepted our memos (even my outspoken ones) as well as our impromptu drop-in visits to their offices). Yes, Mrs. Bridge dried my tears more than once as I struggled to adapt to public library culture and change from a naïve ingénue to an adult. It wasn't too long before I thought of her as a second mother, and that feeling remains with me to this day.

 When she hired me, she apologized that she couldn't offer me a Librarian Assistant position, but it saved my job; six months after I began at RPL, there were layoffs and the LA's lost their jobs while I, an LTA, kept mine. In a year or so, I was promoted to Librarian Assistant, and by then I was committed to my promise to Mrs. Bridge: that I would be staying in Rockford. And stay I did, over the years, enjoying working in Audiovisual and then in Arts, always with the mentorship of Mrs. Bridge upstairs. She shepherded me through more than one emotional crisis, unheard of in today’s corporate workplace. She accepted my dramas and celebrated my skills and let me use my talents. She was a guiding light for me, and it was only when she transferred to what was then called Technical Services to be a cataloger that I had the nerve to begin calling her "Alma." And what a fitting name! Alma means “soul, spirit, kind, loving, and seeker of peace and harmony.” That she was, and more.

As we worked through the many changes at RPL, Alma and I had many serious as well as hilarious conversations. She saw me through orthodontic braces when I was in my 30s, and together we tackled the new cataloging system for records (yes, LPs!) with clear communication and shared frustration. Alma always treated me with respect, collegial camaraderie and kindness. I can truly say that after she retired, although I was happy for her, I missed her glowing light every day when I came to work. I thank her for laying the groundwork for her successor, who continued her tradition of grace, high expectations, participatory leadership and deep appreciation of staff.

Now, as I am sadly seeing the old guard leave us, it is with heartbreak that I hear this news of Alma's passing. I did not know she was 90 years old. We were with her when she lost her beloved daughter Ellie, and I was honored when she gave me a collection of her dear George's eloquent poetry. Having joined the ranks of retirees in 2010, I had the joy of attending the retirees' lunches once a month and catching up with Alma. Later on, when she was unable to get around easily, my friend Marie Phillips and I picked her up for a gathering at the Stone Eagle, where we enjoyed her wit - still intact, although she had borne the loss of her daughter followed by the progressive changes in her once-vibrant health.

The example Alma Bridge set for all who knew her is evident in the people I know who remember working under her and learning from her. We have lost yet another of our great elders, and it is now our turn to carry her torch and treat others as she treated us. I believe Alma had a great faith in God, and my prayers are with her family during this transition. I pray that the love and respect we will continue to carry for Alma, as well as the memories we cherish and the kindnesses we do for others as we remember her mentorship, will be a source of strength for her family. May your soul rest in peace, Alma, and may your spirit live in in all whose lives you touched. Godspeed, Mrs. Bridge.

Condolence:

It is with heartbreak that I hear this news of Alma's passing. I did not know she was 90 years old. The example Alma Bridge set for all who knew her is evident in the people I know who remember working under her and learning from her. We have lost yet another of our great elders, and it is now our turn to carry her torch and treat others as she treated us. I believe Alma (whose name means “soul, spirit, kind, loving, and seeker of peace and harmony), had a great faith in God. I pray that the love and respect we will continue to carry for Alma, as well as the memories we cherish of her grace and wit - and the kindnesses we shall do for others in honor of her, will be a source of strength for her family and loved ones. May your soul rest in peace, Alma, and may your spirit live in in all whose lives you touched. Godspeed, Mrs. Bridge.

                                         
                                                            Alma Nielsen Bridge
                                               April 13, 1924 - December 29, 2014

Wednesday, December 17, 2014

Re-connection

Yet more joy has resurfaced in my life, as I reconnect with my friend Cyntia Smith and discover the treasure that is her new recording. Here is a link:
From CDBaby: This latest release by Cyntia Smith is a heart-centered masterpiece. Her clear and honest song writing coupled with a voice that takes you tenderly into its embrace is evident in each and every track. Cyntia explores archetypal imagery in a way that departs from the realm of mythology and becomes an integral part of all our lives. This timeless music lovingly tends the individual and collective soul of the world.

Here is my review, posted on Amazon tonight and, I hope, on CDBaby tomorrow.

With quiet joy, I sit in enchantment as Cyntia's gorgeous dulcimer playing, her original, plaintive melodies & lyrics, and her low, gentle voice wrap themselves around my heart once more. It has been too long since I have heard her solo singing and fretted dulcimer artistry. Most of the cuts are original; Cyntia has the rare gift of being able to create melody seemingly without effort, and her lyrics are pure poetry. There is one traditional piece; her version of "Red is the Rose" is exquisite; I accompanied Rhiannon Stanuch
 on my Aeolus fretted dulcimer (built by Dale E. Foye and Cyntia Smith) at the Bookworm Cafe in 2011 as she sang that song, and now as I hear Cyntia's intimate performance, I feel as if I am in the same room - but radiantly in the audience this night. Cyntia has such a true, earnest and healing timbre in her voice; she sings as if she might be sitting across from you personally, singing just to you; perhaps healing your soul or your body. Kindness emanates from this recording--I do not believe I have ever heard anything as sublime as "A New World." It is almost hymnlike. As a former church organist and college music minor, I can say that this melody stands up to every composition I have ever heard orchestrated, arranged for solo voice or performed in chorus. Cyntia's talent for songwriting reaches far beyond that of any artist to whom I listen. The precision and musicality of her fretted dulcimer playing as she accompanies herself is celestial. There is a haunting Eastern, almost Arabic influence that shines through the mysticism of many of the pieces; especially the instrumental "Will To Love."
While Cyntia Smith performed with Ruth Barrett for many years, this long-awaited jewel shows me that much of the magic lies in Cyntia and always has. I don't have enough praise for this, Cyntia's first solo recording - it shows depth, maturity, musicality, sensitivity, and absolute grace. It is my honor to write this review, and I shall make certain that everyone I know not only hears about it, but hears it and buys it. Blessings, Cyntia. I thank you.


Sunday, December 7, 2014

Advent

Meditations on Week I of Wednesday night Advent Class, which I missed due to illness

Expectant.
Expectancy.
I expect you to do _________________
This met/did not meet my expectations.
What a powerful word.
Expectancy, during this past year? Certainly there are things I do regularly, such as attending AA meetings and spending Tuesdays and Fridays with Paul, and – as of a month ago – going to church on Sunday morning. The key here is that while I have expectations (who doesn’t?), I must be mindful of the fact that things may not turn out as anticipated. If I’m looking toward an event with a feeling of wonder and joy, there is still doubt in the mix; for that, I must remember to rely on faith. If it’s something I dread, I have tried to learn not to fall into “magical thinking;” if I worry myself sick about this, it won’t happen, but if I’m not the least bit nervous, I’ll get shocking news.

We are powerless over people, places and things. I always know when I’ve crossed the line and begun to push my own agenda on people, oblivious to their needs. I expect my Internet service to work. I expect that there will be hot water when I turn on the shower. I expect my sense of humor to be appreciated and am always shocked when my comments land, like a wet bag of newspapers thudding on the floor, in between myself and the person I thought I could amuse. How do we learn to be sensitive to the reactions of others? Not everyone wants to hear graphic detail, or rhapsodic meanderings about inspiring choral music, or vivid descriptions of someone else’s day. Why am I so often like a freight train, barreling into someone’s life, forgetting to take the emotional temperature of the moment before I speak?

So. How to pause, how to breathe in, how to be present with others, how to listen? Why are we often so blind to what should be so obvious to us? The promptings of the Spirit, if we are open to them, teach us every single day how to slow down and be in the moment; how to think of others before ourselves. Why do we fail to be open to these things? They aren’t hunches. If I am truly attentive, they are astoundingly clear.

Specifically, in my case – who is really interested in my quest for religion? Who cares whether I want to be a United Methodist, a Rastafarian, or a heathen?  How do we learn to keep what is sacred to us close to our hearts, and not be so quick to spill out every detail of our process? Others have their own journeys. The Catholic who is listening to my effusive reactions to Christ United Methodist Church may very well be struggling with the fear of Mass having become a chore.

I think of the word behold. Having spent so many hours in the music department in college, I have sung more than enough choral pieces containing that word. In reading Pastor Pamela C. Hawkins’ book, I have stopped to think about what it really means to behold. To me, it is to look upon something with wonder. To find one’s self startled with joy and amazement. It brings back memories of my childhood, when my mother – upon hearing a bird sing or a far-off sound-- would say “Hearken!” to us. Hearken. Not Listen.

How I love those archaic words.

In prayer, I find I rarely focus on imagery. I am auditory. I tend to hear a choir singing. I choose pieces of music to meditate on in prayer, such as Randall Thompson’s Alleluia, or Pitoni’s Cantate Domino, or the numinous Bless the Lord, O My Soul by Mikhail Mikhailovich Ippolitov-Ivanov.  Holiness, for me, lies in music and in language.

So today, in singing the beloved O Come, O Come Emmanuel, I feel compelled to read about what it actually means when the words say “and ransom captive Israel.” When I experience the signs of the season surrounding me, juxtaposed with the sudden death of a beloved pastor and friend, my heart is troubled. What are we to make of this?

It is especially important, during this cold and often stressful season, to stop and hearken, and to behold. To pause when agitated, as we say in AA. To try, as I am trying right now, not to feel resentment when I am writing and someone is talking to me – demanding my attention.

In this Advent season, I pray for quiet. I pray for hope. I pray for trust and acceptance. I pray that as I open my own imaginary cardboard box of treasures, I turn each one around in my hand and behold, in wonder, the birth of new beginnings once more.